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The children land here because of absent parents, typically casualties of alcoholism or war from previous Russian invasions and incursions (the documentary was filmed in 2019 and 2020). Unless another family member steps up, the young ones move into foster care or to an orphanage. Mercifully, the caregivers’ affectionate morning rounds immediately show that this is an institution rooted in love, hope and common sense.
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They often lash out at each other, or the adults, especially the boys—one cuts his arm and uses a marker to deface the facility. And Wilmont opens the door to how much situations like this trickle down across generations. "She copies what she saw in her childhood," says a social worker who speaks of seeing mothers who were children at Lysychansk now dropping off their offspring.
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These homes can be quite tall with steeply sloped roofs and multiple floors. They are often half-timbered, with wood paneling on the upper levels and stone or brickwork below. Hybrid cottage styles might include small porches and gabled dormers in attic stories. Balconies and bay windows are other possible modifications features in more extensive examples of this style. A standard detail is the decorative knee braces holding the extended eaves, from which hanging flower baskets are often hung. Windows on bungalows tend to be double-hung with single panes and simple wooden casements.
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They haven’t the scaled-down pretensions of two-bedroom mock-Spanish haciendas. It may be a soulless landscape to some, but in Southern California, to its pilgrims, a house of one’s own is a holy land indeed, even to this day. The children Wilmont follows are more keenly aware of their situations than you might think. Kids are far more observant than adults believe, and it's fascinating to hear them cautiously talk here about their home lives and see how they wrestle with homesickness, trauma, and fear.
Her deadline is approaching, after which she may be sent to an orphanage, unless her estranged grandmother agrees to be her guardian — not a given in such fraught times. For the younger, cherub-faced Sasha, blood relatives are not an option, though when a lonely single woman expresses an interest in fostering her, the film is warmed by the promise of mutual healing. The Lysychansk Center for The Social and Psychological Rehabilitation of Children is designed to be temporary. Children can only stay there for nine months before they have to either find guardianship or be sent off to orphanages.
Asymmetry of design is a key feature, with idiosyncratic and cozy room layouts, often built around a central chimney. Front-facing gables sometimes incorporate a catslide roof, where a curving interior slope contrasts with steep, straight eaves on the outside. There are often mock-retro touches such as imitation thatched roofs and windows with leaded panes. The boom period for this type of housing was 1700 to 1850, and a revival took place from the 1920s to the 1950s.

Arched or porthole windows and decorative door surrounds are standard. Inside, sweeping staircases and high-ceilinged interiors add to the splendor of this variant. Inside, ceilings often feature exposed interior beams in a rustic style.
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You can see them on the streets of older cities like Glendale and Long Beach, looking for all the world like the front door will spring open, and seven dwarfs will head off to work in their diamond mines. If you’re rich enough, or bold enough, you could build whatever you damn well pleased. One of my favorites is a survivor, the Stimson House, a “castle” on Figueroa Street near USC, 130 years old, red stone outside and more than half dozen kinds of wood inside.
In his book “Granada Hills,” Jim Hier reproduces a 1926 tract plan for the new town, with hundreds of lots of different sizes on yardstick-straight streets marked with the ages and types of orange trees (“5-year-old Valencia”). Each POV film comes with free resource materials to support those who want to bring the transformative power of documentary into community, classrooms, and libraries. Explore our discussion guides, reading lists, and lesson plans here. It’s vestigial artificial structuring in a movie that does better when it’s more purely fly-on-the-wall. Wilmont is careful not to betray that trust with overdone music or too many close-ups of tears—although there are enough of those to make this one of the more emotionally exhausting films in a long time.
'A House Made of Splinters' Review: Mending Broken Souls in Ukraine - The Wall Street Journal
'A House Made of Splinters' Review: Mending Broken Souls in Ukraine.
Posted: Thu, 13 Jul 2023 07:00:00 GMT [source]
We have endured two impeachments; a deadly insurrection; his fanboying of murderous dictators; unveiled threats of retribution against his perceived enemies; and a profane disregard for the pillars of American democracy. Interiors can contain extensive hardwood paneling, grand fireplaces, and sweepingly elegant staircases. The intention is to impress, and these homes are intended for entertaining.
Look below the glassy skyscrapers and you'll find Art Deco high-rises in Downtown Los Angeles, craftsman bungalows in Pasadena and envious estates along the hills and beaches. We think Los Angeles architecture is worth celebrating, so we've put together this guide to some of the city's most remarkable buildings and styles. French eclectic might blend aspects of Craftsman, Cottage, or other styles to create a hybrid form while still retaining some of the rustic elements of French provincial homes, such as steeply raked grey-tiled roofs and brick chimneys. Chateauesque, as its name suggests, is a grander and more formal look, borrowing from French medieval castle design. Large homes in this style often have round towers or square turrets surmounted with conical or pyramidal roofs.
Peaking in the 1920s and 1930s but still popular today, Mediterranean Revival style draws from an eclectic blend of Spanish Renaissance and Spanish Colonial, Italian Renaissance, Andalusian and Beaux-Arts influences. Commonly found in Florida and Southern California, these homes offer comfort and often integrate interior courtyards and landscaped gardens. Popular in America between 1915 and 1945, French-inspired styles were popularized by soldiers returning home from the World Wars.
It’s fair to wonder if these kids are simply too broken down from their pre-shelter experiences to be self-conscious in front of the camera, as if PTSD and naturalism go hand-in-miserable-hand. Whether the credit goes to Wilmont or trauma, the result is astonishing. “He was adopted by a compassionate and resourceful Ukrainian family who saw A House Made of Splinters and decided to seek him out for adoption,” Wilmont revealed.
The Mission Revival style in particular lasted only maybe a quarter-century, until World War I. To my way of thinking, it is not attractive, with that arched roofline like a dromedary’s hump. The Times’ first publisher’s house, on Wilshire Boulevard, was a Mission Revival building that was turned into the first home of the Otis Art Institute. “You could have balconies and verandas and patios and the indoor-outdoor lifestyle” — the kind of California living that would come to grace a thousand magazine covers and entice a million people to the lush L.A. One house type that has endured and been reinterpreted for two centuries is the hybrid Anglo-Californio “Monterey style.” The first, built in 1835 by Boston merchant Thomas Larkin, still stands in Monterey. The clapboard walls of a Monterey house scream “Cape Cod,” yet the long, airy verandas are so, so Californio. You may love it without even knowing that’s what you’re looking for.
These homes' interiors are often open-plan with built-in cabinetry incorporated into large fireplaces, such as benches on either side. This was also the era of planned subdivisions like Hollywoodland (in upper Beachwood Canyon), Whitley Heights, and Outpost Estates. The construction boom ran out of steam when the U.S. stock market crashed in 1929. In variants from tiny two-bedrooms to airy mansions, the style lives on in pre-war homes that adorn hillsides from Silver Lake to the sea, like the late actress Dolores del Rio’s 1926 Hollywood home of tile and wrought iron and chalk-white stucco.
They often have a brick lower half with wooden paneling or painted masonry above. Although they may have lower ceilings, rooms can be generous in size, and layouts vary from rectangular to L-shaped or U-shaped plans, allowing for a variety of budgets. And so they built and bought houses in the Spanish revival and Mission revival styles — whitewashed walls, red-tile roofs, wrought iron, exotic plants (sometimes, like the lofty palm trees, no more native to California than the homeowners themselves). With booming stock markets in the 1920s came a revival of this English Tudor and Medieval inspired style. These homes, often constructed in complex, decorative brickwork, borrow heavily from an eclectic palette of archaic features such as exposed wooden beams, tall bay windows, steeply raked roofs, and diagonal muntin panes.
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